September 21, 2017

Le Jardin Invisible

Written by Valérie Picard
Illustrated by Marianne Ferrer
Monsieur Ed
978-2-924663-03-5
64 pp.
Ages 4+
August 2017

When her family travels far from the city to the country to attend her grandmother's birthday celebration, Arianne enters a marvelous world of lush vegetation, magnificent creatures and an adventure of epic proportions, like all in Le Jardin Invisible (translation: The Invisible Garden).

As pleased as she is to see her grand-maman, Arianne is the lone child in a house full of guests.  A parent suggests she go play in the garden.  A city child, unaccustomed to making play in the outdoors, Arianne is bored and lays down in the grass. A small pebble (caillou) brings her to see another world in which the pebble is a mountain, locusts are as big as cars, and plants like trees.  She chases after the locusts but loses them and catches a ride on a dandelion seed to continue her quest.  Skipping her pebble into the water, she drops in too, witnessing the wonders of the sea including the evolution of aquatic creatures to land dinosaurs who assist her in capturing a star that she releases into the cosmos.
From Le Jardin Invisible 
by Valérie Picard 
illus. by Marianne Ferrer
Perhaps Le Jardin Invisible is but the imaginative dream of a child bored with adult activity who takes bits and pieces from her surroundings and builds them into a story.  Ah, but what a story!  She sees mountains, and travels on fluffy seeds, races with creatures small and large and reaches into the heavens for a touch of magic.  No wonder when the family is returning to the city late at night, Arianne declares to the sky of stars and ethereal shapes, "À beintôt, les dinosaures!" (translation: See you soon, dinosaurs).
From Le Jardin Invisible 
by Valérie Picard 
illus. by Marianne Ferrer
Surprisingly, in 64 pages, there are few words.  The text is essentially a series of questions and exclamations.  But Valérie Picard's sparse text blossoms into a full story with Marianne Ferrer's illustrations.  Marianne Ferrer's art, first reviewed here from her picture book Racines (Monsieur Ed, 2016), gives an ethereal context to Arianne's journey from city to country to Le Jardin Invisible.  When the insignificant child is delegated to the garden, she becomes part of something larger, much larger than herself but still part of it.  Marianne Ferrer's locusts are majestic in every facet, her plant life varied and sumptuous in tones of blue, green and rose and her underwater scenes are resplendent in shades and hues of blues.  Like Arianne, these worlds are largely ignored until looked at with a closer lens.
From Le Jardin Invisible 
by Valérie Picard
 illus. by Marianne Ferrer
Whether Arianne visited this lavish garden by way of her dreams or simply her imagination is irrelevant.  Le Jardin Invisible is one to be seen and appreciated from any perspective.


n.b. The interpretation of this French-language book is solely my own.  I take full responsibility for any errors in translation and interpretation of words and art, and apologize for any discrepancies from the author/illustrator’s intent.

September 20, 2017

Stratford Writers' Festival

The 2017 Stratford Writers' Festival
is set to take to the stages

on

October 20-22, 2017

in 

Stratford, ON

There are workshops and panels on songwriting, self-publishing, social media, blogging, memoirs, grief, art and literature, history and healing, satire, food and, of course, writing.

The plethora of authors attending the three-day event include:
• Chantel Acevedo
• Marianne Apostolides
• Jason Barry
• Mark Billingham
• Kerry Clare
• Deborah Cooke
• Glenn Dixon
• Terry Fallis
• Emm Gryner
• Drew Hayden Taylor
• Scaachi Koul
• Dayna Manning
• Marina Mapa
• Lee Maracle
• Mark Medley
• Catherine Mellinger
• Heather O'Neill
• Shane Peacock
• Eden Robinson
• Jennifer Robson
• Rebecca Rosenblum
• Ron Sexsmith
• Richard Scrimger
• Craig Terlson
• Eric Walters
• Alice Zorn

But I wanted to draw your attention to a panel relevant to those who read CanLit for LittleCanadians.

On
  Friday, October 20, 2017, 

 6-7 p.m.

at

Knox Presbyterian Church

a trio of youngCanLit authors will present a panel titled 

A Means to a End: Keeping a Series Alive


In attendance will be three of the authors of Orca Book Publishers' Seven series,  The Seven Sequels and The Seven Prequels:


























To create a story that is riveting and engaging is an accomplishment on its own. To continue a story throughout many novels and hold an audience’s attention takes an extraordinary talent.

These three authors have mastered the art of keeping a story alive through their tales of triumph, discovery, and self-actualization. Join us as award-winning authors Eric Walters, Richard Scrimger, and Shane Peacock discuss the process of series writing and how to keep readers coming back every time.






Full details of this event and all panels and workshops can be found at DigiWriting's website at http://digiwriting.com/stratford-writers-festival/ with tickets available at Ticketscene

September 19, 2017

The Water Walker

Written and illustrated by Joanne Robertson
Second Story Press
978-1-77260-038-4
36 pp.
Ages 6-9
September 2017

At first glance from title and illustration, The Water Walker may look like an Aboriginal myth or a picture book story.  It is neither.  It is an illustrated piece of creative non-fiction that recounts the efforts of Ojibwe Grandmother (Nokomis) Josephine Mandamin originally of Manitoulin Island and her extraordinary efforts to raise awareness about the need to protect our water (Nibi).  Her story is true, as attested by three knee surgeries and countless pairs of sneakers.

As a child, Nokomis loved Nibi in all its attributes: cold, warm, calm, wild.  Every day she would thank Nibi for its gift of life. "Gichi miigwech, Nibi, for the life you give to every living thing on earth.  I love you.  I respect you." (pg. 9)  But after hearing an elder (ogimaa) speak of water's fate and Nokomis realized that water was being disrespected and wasted, she banded with her sister and women friends (kwewok niichiis) to formulate a plan to protect Nibi.  Four days later, a copper pail full of Nibi in one hand and a Migizi (bald eagle) Staff in her other, Nokomis lead the Mother Earth Water Walkers in their walk around the Great Lakes and the St. Lawrence River.  For the next seven springs, they walked, prayed and sang, offering sacred tobacco (seema) at every Nibi encountered.

From The Water Walker by Joanne Robertson
Though the media picked up on their walking for Nibi, Nokomis knew there was more to do.  The Water Walkers went to the waters surrounding Turtle Island (North America) and sang Nibi's praises and demonstrated their respect.  They went to the Pacific Ocean, an oil spill in the Gulf of Mexico, the Atlantic Ocean and the Arctic Ocean.  Still Nokomis prays and sings to Nibi and hopes everyone will help protect Nibi.
From The Water Walker by Joanne Robertson
The Water Walker in the story of a grassroots crusade to demonstrate respect and inform people about the importance and potential destiny for Nibi if we continue as we have.  With water rights being given away for pennies and contamination through industry and pollution, Nibi is at risk.  It is no longer the limitless commodity generations before us believed it to be.  Nokomis Josephine Mandamin did not wait around for disaster to compel her to act.  She let her heart drive her into action.  Now Joanne Robertson, a member of Atikameksheng Anishnawbek and founder of the Empty Glass for Water campaign, is sharing that story through her invigorating illustrations, bold in line and colour.  Though most of her characters are seemingly lacking in detail, with their similarly rounded heads, expressionless faces and stiff walking postures, Joanne Robertson fashions them to be unique and distinct in dress and hair.  The illustration of the parade of Mother Earth Water Walkers with the sun blazing behind them is simple but powerful, as is the collage of memories of places and people visited on their walks.
From The Water Walker by Joanne Robertson
The Water Walker may be an illustrated biography of Nokomis Josephine Mandamin's walking for Nibi but it is also a tale of action, both accomplished and endless, to do for Nibi as it has always done for us.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The book launch for the book will take place on Tuesday, September 26, 2017 at A Different Booklist in Toronto.  Both Grandmother Josephine Mandamin and author/illustrator Joanne Robertson will be in attendance to speak from 12:30 -2:30 p.m. with a book signing and reception fro 5-7 p.m. The events are posted here

September 18, 2017

Two Times a Traitor

Written by Karen Bass
Pajama Press
978-1-77278-031-4
240 pp.
Ages 9-12
May 2017 (Canada), August 2017 (US)

Selected as a Junior Library Guild Selection, Two Times a Traitor may seem a departure for award-winning author of historical fiction, Karen Bass, who won the Geoffrey Bilson Award for her books Graffiti Knight (Pajama Press, 2013) and Uncertain Soldier (Pajama Press, 2015) in consecutive years.  But, Karen Bass knows how to seamlessly weave a bit of the unexpected into her fiction, as she did in her suspenseful The Hill (Pajama Press, 2016), and as she does in Two Times a Traitor which blends a contemporary setting with Canada's past in Louisbourg 1745 through the use of time slip.

Twelve-year-old Lazare Berenger is still angry with his father who moved the family from Ottawa to Boston while Laz was visiting his Grandmère's farm in New Brunswick the previous summer.  And now, when he'd been saving up for a parkour camp for spring break, Laz is with his parents and younger sister Emeline visiting Halifax.  With every new suggestion of his father, Lazare is reeling with anger so, while visiting the Citadel, Laz takes off on his own.
The air seemed to push against Laz, as if it didn't want him to return down the tunnel.  Something strange was happening, but he didn't know if it was this chamber, the whole tunnel, or if he'd had too much bacon for lunch.  He took a deep breath and his lungs refused to fill. (pg. 19)
When he knocks himself out, he awakens in an unfamiliar landscape of pirate-looking men at bonfires on shore, old-time sailing ships moored in the bay and a man with a sword taking him to Captain Hawkins on the ship called the Constance.  Believing it's all a role play as boot camp punishment from his father, he spouts off about 2017 and more, leading the captain to believe he is pretending madness to distract them from recognizing him as an Acadian in league with the French at Louisbourg.  His clothes, which might conceal weapons, are taken away, as is his grandmother's St. Christopher medal ("Papist witchery"; pg. 38) and he is put in fetters.  Ben, a young boy who has been apprenticed to the Constance, befriends him and Laz learns that it truly is 1745 and they are transporting militia to Canso to fight King George's War against the French.

With a militiaman named Cooper seeking retribution on "Master Berenger" and Commander Pepperell, the commander of the expedition, ready to hang Laz for treason, the boy is put to work alongside the militia and then blackmailed–he is convinced his medal is the means to getting back to the future– into going into Louisbourg as a spy to seed doubt and do mischief.  Under the guise of a farm boy warning the French of an incoming barrage of British ships, Laz is welcomed into Louisbourg, becoming the messenger of Port Commander Pierre Morpain, a man who treats Laz as the boy wishes his own father would.  As Laz builds a new family amongst the residents of Louisbourg, he is haunted by his need to fulfill his obligation to the British if he is ever to return to his true family and life in 2017.

Privileged Laz may think his life with his father is impossible but, after facing treason charges twice, once by the British and later with the French after he sabotages their gun powder, he realizes how easy life has been.  Still he wonders about remaining in the past, one in which Morpain keeps him safe and shows him deep affection and respect and Laz has a purposeful life which, though dangerous and unpredictable, feels like home.

While taking the reader into both sides of the 1745 siege of Louisbourg, Karen Bass makes sure that Two Times a Traitor is about Laz recognizing what home is to him.  He may have been angry with the move to Boston but he soon realizes that what matters are the people.  It's evident he adores his sister and is determined to get home for her but he has some qualms when Louisbourg starts to feel like home too.  But before he can make the decision about where he belongs, he has to stay alive. With both sides believing him to be a traitor and an angry militiaman out to kill him, not to speak of the cannon balls, mortar and muskets and bayonets, safety is a commodity in short supply. Readers will adore the action adventure story of  Two Times a Traitor but its story of historical events is extraordinary and not to be relegated to second place. Karen Bass does comprehensive research, providing astounding detail to setting and characters, plunging readers into the fray that was war.  By allowing Laz to be part of both sides and emphasizing his confusion about which side to favour, Karen Bass allows readers to see the conflict from different perspectives and takes history away from the one-sidedness of most textbooks. Moreover, she allows us to see that conflict, whether personal or historical, always has two sides that need to be seen.  Resolution may be amicable or there may be victors and those defeated, but how it plays out is all about point of view.

September 15, 2017

The Curiosity Cabinet

Written and illustrated by Ian Wallace
Groundwood Books
978-1-55498-922-5
36 pp.
Ages 5+
September 2017

See Canada from inside Ian Wallace's The Curiosity Cabinet, a book and cupboard filled with mementoes of each province and territory.  From Ian Wallace's dedication,

Dear Canada,
Thanks for the
countless adventures
logged in my red
Converse All Stars.
                        I.W.

to the rich endpapers detailing mugs of pens and T-shirts, a NWT license plate and a child's painting of a duck, The Curiosity Cabinet represents the accumulation of gifts, purchases and experiences Ian Wallace has received, made or had visiting communities across Canada.  They may be his curiosities but they are of our country and tell a story far greater than the totality of their numbers.

One day I realized that this vast land was a nation of families and diverse neighborhoods, and that I had left a piece of myself in each one – and they in me.

From The Curiosity Cabinet by Ian Wallace
Except for an introduction and four pages of illustrator's notes, which identify all the curiosities and the province or territory depicted, there is no text on the double-page spreads representing each region.  From his home province of Ontario represented by tamarack geese gifted from Attawapiskat and Moose Factory, and the sparrow carving for the launch of The Sparrow's Song (Groundwood, 1976) to the snow globe illuminating a reading at the Owen Sound Public Library circa 1978, Ian Wallace reveals his travels, his books and his memories of visits. 
From The Curiosity Cabinet by Ian Wallace
The illustration for Alberta honours the native land of Head-Smashed-In Buffalo Jump, Nova Scotia's salutes the people of the sea and his book Boys of the Deeps (Groundwood, 1999) and Yukon's illustration celebrates the aurora borealis, the work of Robert Service and Ted Harrison, and Jan Andrew's story Very Last First Time (Groundwood, 1985) which Ian Wallace illustrated. Sadly this memory page is all the more poignant for the losses of Ted Harrison in 2015 and Jan Andrews just over a week ago.

Ian Wallace has chosen to illustrate exclusively in the subtle graphite that produces both an eeriness and an emotional distance.  It is like seeing a museum display, highly appropriate for a book titled The Curiosity Cabinet.  Still there is an intimacy because of the content of the cabinet, as each memento has a very personal attachment to the author/illustrator.  With each item and illustration, Ian Wallace remembers and celebrates the people and places of our Canada, as they have touched him. While reminding us of the plethora of books he has written and illustrated, The Curiosity Cabinet is a relevant and gratifying way to celebrate Canada 150.
From The Curiosity Cabinet by Ian Wallace

September 14, 2017

Stolen Words

Written by Melanie Florence
Illustrated by Gabrielle Grimard
Second Story Press
978-1-77260-037-7
24 pp.
Ages 6-9
September 2017

A young girl's simple request of her grandfather to learn how to say a word in Cree reveals much about the system that stole his language from him and so many Aboriginal children but more about the affection and courage of those who have the grit to ensure those words do not remain silent or withheld forever.
From Stolen Words 
by Melanie Florence 
illus. by Gabrielle Grimard
It's evident from the words and actions of the seven-year-old girl and her grandfather that their relationship is a cherished one.  She is exuberant from her day at school, pleased with what she's made and learned, and comforted with his attention as he escorts her home, holding her hand and carrying her backpack.  But when she asks, "How do you say grandfather in Cree?" his response is a lesson in history and one muted with hurt and needless shame.  As his granddaughter continues to ask "Where did they take them?", "Who took you away, Grandpa?" and "Where did they take you, Grandpa?", her grandfather tells the history, heartbreaking in the capture of the Aboriginal children's words like a raven in the cage of Gabrielle Grimard's grim illustrations of the residential school.
From Stolen Words
 by Melanie Florence
 illus. by Gabrielle Grimard
But his hurt and lack of words does not deter the child's curiosity or compassion, and she brings home a worn book titled "Introduction to Cree" so that together they might speak the language of home and release the formerly imprisoned language.

Nôsisim, he whispered.
Granddaughter.
The word felt familiar in his mouth.
It felt like his home. His mother.

As the grandfather reconnects with his past and makes a new connection with his young granddaughter, I wept for his loss, his family, his struggle and his courage to take steps forward. It's an emotionally charged series of interactions and memories that are pure Melanie Florence.  They will astound readers and sadden them, while encouraging healing and learning without shame or anger.  Her words, thankfully not stolen, make for leaps forward for those whose language was pilfered from them as vulnerable children. Gabrielle Grimard's illustrations are similarly strong and soft, taking the reader into the intimate relationship between a grandfather harbouring hurts and a child wanting to help.

Melanie Florence took on the gut-wrenching issue of missing Indigenous women in her award-winning picture book Missing Nimâmâ which was divinely illustrated by François Thisdale (Clockwise Press, 2015) and similarly addresses the emotional trauma of the residential schools in stifling language.  While the generations after the residential schools are still affected by their inconceivable legacy, the healing will come through them.  The grandfather's words may have been stolen but his loving granddaughter is the means by which they will be restored.
From Stolen Words 
by Melanie Florence 
illus. by Gabrielle Grimard

September 13, 2017

A Bedtime Yarn: Book launch (Hamilton, ON)

Picture book author

Nicola Winstanley

Cinnamon Baby illus. by Janice Nadeau (Kids Can Press, 2011)
The Pirate's Bed illus. by Matt James (Tundra, 2015)

launches her new book


A Bedtime Yarn
Written by Nicola Winstanley
Illustrated by Olivia Chin Mueller
Tundra Books
978-1-10191808-1
32 pp.
Ages 3-7
Release September 2017


on

 Saturday September 30, 2017

11 a.m. to 1 p.m.

at

Epic Books
226 Locke Street South
Hamilton, ON


This darling tale is described as:
Frankie is a little bear who has a hard time falling asleep. The dark is scary, and he hates to be alone. So his mother gives him a ball of yarn to hold when he goes to bed, and she keeps the other end in the next room, working it into a surprise for Frankie. 

Every few nights the yarn color changes, and Frankie dreams in all the colors that he and his mother pick out. One night he's swimming in turquoise water, another night he's in a cool gray fog. He plays with a marmalade kitten and eats delicious chocolate cake. Eventually Frankie and his mother create something special--and Frankie learns that he's always connected to those he loves, even when he's alone in the dark.

A beautiful story of love and crafting, A Bedtime Yarn will appeal to knitters, sleepy little bears and any parents dealing with their child's fear of the dark.
on September 12, 2017.

This book launch has all the hallmarks of a great event:
•  treats
•  crafts
•  story reading
•  book signing by the author

Do attend!

September 12, 2017

Saving Grad

Written by Karen Spafford-Fitz
James Lorimer & Co., Ltd.
978-1-4594-1252-1
160 pp.
Ages 13+
RL 5.0
August 2017

Mandy is right about one thing.  I have no idea how to be fun.  I had it beat out of me a long time ago. (pg. 97)
It's been beat out of her by her alcoholic, cocaine-abusing step-dad, Duncan, who has made her life and that of her mother Sophie a misery for two years.  Her mother is reluctant to leave, accustomed to the fine home and life style of wealth, but Vienna sees beyond the facade of a good life, apprehensive what could eventually happen if they stay.  When Duncan has a fall that lands him in hospital, Vienna is determined to pack themselves up and flee.  They head to Edmonton where, with the help of an outreach worker, they get a basement apartment and begin to make a new life, slowly.

Though initially happy to drown her sorrows, Sophie gets a job at a Starbucks and insists that Vienna get registered for her final year of high school.  To make it more difficult for Duncan to find them, Vienna decides to go by Vienna Fleury, using the last name of her Métis grandmother, Mémère.  Sophie and her mother may not have spoken for years–since they'd argued about her marriage to Duncan–but Vienna misses Mémère and calls her occasionally to keep her from worrying, though she never reveals where they are.

At her new high school, Vienna tries to stay under the radar but a friendly classmate named Mandy draws her into the school's social scene, enlisting Vienna's help on the grad party committee. Although Vienna begins to enjoy school and her mother is establishing a support system and relishing her independence, regardless of how financially strapped they are, you know things have to go awry.  Saving grad may be the least of Vienna's worries.

As part of Lorimer's SideStreets series of hi-lo (high interest-low vocabulary) books, Saving Grad is a fast read in plotting and word count.  But don't mistake a hi-lo read for a lesser story.  Author Karen Spafford-Fitz capably creates an intense plot of relationships between family and friends which can be positive and negative, supportive or destructive, and she makes sure to take us along on that bus ride.  Like Vienna and Sophie ending up in Edmonton in the middle of winter, the destination may not be an easy one at first but it is a fulfilling one in the end.  Saving Grad is bigger than the indisputable distress of physical abuse.  It's a story of resilience and strength and making something good out of something bad.  Karen Spafford-Fitz makes Saving Grad into saving Vienna and Sophie and others too.

September 11, 2017

The First Page: Student writing challenge from CBC Books


CBC Books has created a writing challenge 
for students in Grades 7 to 12 
and 
the two winning entries 
 (one for Gr. 7-9 and one for Gr. 10-12) 
will be selected by
 award-winning YA author
Erin Bow


The Challenge:  
• Write the first page of a novel (any literary genre) set in 2167 with the protagonist dealing with an issue currently relevant  (climate change, diversity, gender, refugees, leadership, etc.) and show how it has played out 150 years from now.
• Write 300-400 words.  Be sure to give your "book" a title.

Eligible Participants:
• All Canadian residents who are full time students enrolled in Gr. 7 to 12 may enter.

Timeline:
• Submit between November 9, 2017 9 a.m. ET and November 30, 2017 6 p.m. ET

Selection:
• Author Erin Bow will judge the entries based on the following criteria:
  • use of language;
  • originality of subject;
  • expression of a current affairs theme;
  • writing style; and
  • adherence to the contest's requirements.
• Shortlists of 10 entries per grade category will be selected from which the winner will be chosen.

Prizes:
• One year subscription to OwlCrate, a monthly delivery of a box of books (winner may select middle grade or young adult)
• The school library of each winner will also receive 50 YA books chosen by CBC.


Full details of this writing challenge are provided at CBC Books 

September 10, 2017

Clutch: Book launch (Toronto, ON)

Join

debut author

Heather Camlot

for the release of her middle-grade book

Clutch
Written by Heather Camlot
Red Deer Press
978-0-88995-548-6
208 pp.
Ages 8-12
September 2017

on

Thursday, September 14, 2017

at

6:30 p.m.

at

Mabel's Fables
662 Mount Pleasant Road
Toronto, ON


From publisher Red Deer Press's website:

It's 1946. A poor Jewish neighbourhood in Montreal where a few dollars equal a fortune, and no matter where you go, you'll find the best home cooking anywhere on earth. It's also a million miles away from the posh mansions on the other side of town. But a 12—year—old boy can hope. 

Just across town something incredible is happening. Jackie Robinson is playing for the Montreal Royals. And he's going to change the world. If Jackie can do it, then so too can a poor Jewish kid from The Plateau. 

Retrieved from https://www.reddeerpress.com/Detail/0889955484 on September 8, 2017.



September 08, 2017

The Winnowing blog tour: Q & A with author Vikki VanSickle

Let's celebrate the release of Vikki VanSickle's newest novel!

The Winnowing
Written by Vikki VanSickle
Scholastic Canada
978-1-4431-4886-3
312 pp.
Ages 12+
September 2017


As part of the blog tour for The Winnowing, Vikki VanSickle kindly answered some questions about her new book.  Her answers are revealing and provide background to the book's premise and her writing of it, and I am delighted to share this interview with readers of CanLit for LittleCanadians.



HK:  Using the word “winnowing”–an agricultural term for cleaning the chaff from the grain–is a brilliant term for the process to which adolescents are subjected in The Winnowing.  How did you ever come up with this term?

VVS:  I actually came up with the title long before the plot or characters, which is something that has never happened to me before. I stumbled across the word in another book and even though it's an agricultural term, it felt eerie to me. I walked around for days thinking 'the winnowing, the winnowing' and eventually ideas started to come together. The first image I had was of the kids gathering at the abandoned pool in the middle of the night for a secret meeting. I didn't even know why they were there, I just liked the image. Things started to snowball from there.



HK:  The process of winnowing comes about to help alleviate the detrimental effects of puberty, like going ACES (Adolescent Chronosomniatic Episodes) and imps (Adolescent Physical Impairments).  The coming of age that is puberty is never an easy transition for young people and this has been a common theme in your earlier novels.  Why make puberty a focus of the government’s control? 

VVS:  I'm obsessed with puberty! I have very vivid memories of that period (pun intended) and how out of control I felt. Everything was so intense. I wanted SO much to be an adult, but I also felt a deep sense of loss, as if childhood was something physical I had left behind and could never get back. It didn't help that the transition was rockier than I expected. I found a lot of solace in books, which is one of the reasons I write for this age group. It's really for my 11-year-old self. Years later as a camp counselor I worked with kids in the midst of puberty and found I was STILL fascinated by it. There's still a lot of shame, confusion, and a lack of conversation around puberty. I like to think I'm adding to the conversation in small ways.

I'm highly aware of the ways in which governments control our bodies already, mostly through health care and legislation. I'm thinking specifically of women's bodies, but this extends to children's bodies and our health and autonomy over our bodies as a human race. I don't think it's that farfetched to imagine a situation in which a government intervenes as drastically as it does in The Winnowing.



HK:  There is much discussion about natural vs. normal when someone who is Natural i.e., conceived without aid of SuperGen hormone, is made to feel abnormal.  The idea of different being worrisome is especially poignant in today’s world.  What message did you hope readers would take from this in light of our current climate?

VVS:  I want readers to think carefully about labels and what they imply. Natural vs unnatural, villain vs hero, conqueror vs refugee, all of these labels depend on the perspective of the person doing the labeling. At the beginning of the book Marivic is a black or white kind of thinker, but as the book progresses she learns to live in the grey space between these opposites. This is also part of adolescence. We teach the concept of opposites very young (think of all those board books: cold/hot, wet/dry, up/down), but as we grow up we learn about ranges, spectrums, and all the possibilities that exist between those opposites. Most importantly, we learn that these differences are okay. Adolescence is an age where people should be expanding their horizons, not limiting them.



HK:  When I saw Dr. Roddenberry’s name, it brought to mind the creator of the original Star Trek TV series, Gene Roddenberry.  Then I noticed several other characters shared surnames with key writers of speculative fiction like J. J. Abrams, William Barton and Lois Lowry.   Is it just a coincidence or did you honour more than several characters with famous writers’ names? 

VVS:  This is definitely intentional! I am a science fiction fan and I wanted to pay homage to creators who made an impact on me. Some of them (like Roddenberry and Lowry) are more obvious than others. I also like the idea of leaving Easter eggs for readers to discover throughout the book. Because there is so much secrecy and conspiracy in the book I thought it would be fun to drop hints and references here and there for the reader in a way that doesn't affect the narrative.



HK:  On your blog at www.vikkivansickle.wordpress.com you write about being a fan of The X Files TV show, even winning a story pitch contest.  The  Winnowing has so many of the elements that made the series popular: conspiracy theories, aliens, the little guy fighting nefarious plots, secret government practices.  Is there any overlap between that story pitch and The Winnowing?

VVS:  That's a great question! The pitch was a response to a scenario the moderator gave us, which was "How does Mulder find out the truth about his sister?" (I'm paraphrasing a bit here). If you're not familiar with The X-Files, Mulder's sister Samantha was abducted (potentially by aliens) when they were kids. This mystery drives him to become an FBI agent and study the supernatural and unexplained. In my pitch, Mulder is called into an FBI tribunal and discovers his sister Samantha is not only in charge of covert FBI operations, but is a double agent for the aliens. So not exactly related, but this is essentially Abrams' biggest fear come to life. I never made that connection before! The mind works in mysterious ways.



HK:  There are probably quite a few YA readers who will be craving a romance between characters.  Is there a reason you chose not to include one?  

VVS:  First love and crushes are definitely a huge part of adolescence, but I think this need is very well serviced in YA and even middle grade fiction. It can be trickier for kids who are not into romance to find books that don't go down that route. I wanted The Winnowing to be another kind of love story, about the love between friends. Marivic isn't motivated by heroism or altruism- in fact she has very little interest in 'saving the world.' She wants to avenge/save her best friend, Saren. At no point during the writing process did it feel natural to give Marivic (or Abbot or Kamal) a crush–they were all far too busy!



HK:  Though you tie up all loose ends in The Winnowing, making it a perfect stand-alone novel, there are many stories within that could still be told.  Abbot’s, Kamal’s or Ren’s stories could all reveal so much more about their world.  Even a story from the perspective of the Kesla is viable.  Are there any plans for follow-up stories? If not, will you continue to write science fiction or speculative fiction?

VVS:  After doing all the world-building for The Winnowing I understand why fantasy and science fiction writers create series.  I have so much material that no one will ever see! It feels like an awful lot of work for one book. That being said, I don't have any plans for a direct sequel. At one point I conceived of a three book ARC for The Winnowing, but in the end I was more interested in telling a small, singular story (Marivic's tale) in the midst of a big, highly conceptual story (what if puberty was dangerous and controlled by the government?) I would like to explore science fiction again. I have been noodling a time travel story around in my head for ages, maybe I'll try that next!

⇲⇲⇲⇲⇲⇲

Thank you to Vikki VanSickle
for sharing her writing with us,
 in The Winnowing and in this Q & A,
 and for allowing us a glimpse into her world.



⇲⇲⇲⇲⇲⇲

You can learn more about Vikki VanSickle 
and her books and writing
at



If you're in southern Ontario this weekend, you can purchase 
a copy of The Winnowing at the Eden Mills Writers' Festival this Sunday 
and even get Vikki VanSickle to autograph it.  Bonus!

September 07, 2017

2017 Canadian Children's Book Centre Awards: Finalists announced


Today, the Canadian Children's Book Centre, our nationally-renowned authority on all things related to youngCanLit, announced the finalists for the 2017 Canadian Children's Book Centre Awards. (See their website announcement here.)

The eight major children's book awards, which will be awarded at two invitation-only galas in November, include:
  • TD Canadian Children’s Literature Award ($30,000) Sponsored by TD Bank Group;
  • Le Prix TD de littérature canadienne pour l’enfance et la jeunesse ($30,000) Sponsored by TD Bank Group;
  • Marilyn Baillie Picture Book Award ($20,000) Sponsored by A. Charles Baillie;
  • Norma Fleck Award For Canadian Children's Non-Fiction ($10,000) Sponsored by the Fleck Family Foundation;
  • Geoffrey Bilson Award for Historical Fiction for Young People ($5,000) Sponsored by the Canadian Children’s Book Centre’s Bilson Endowment Fund;
  • John Spray Mystery Award ($5,000) Sponsored by John Spray of Mantis Investigation Agency;
  • Amy Mathers Teen Book Award ($5,000) Sponsored by Amy Mathers' Marathon of Books; and
  • Le Prix Harry Black de l’album jeunesse ($5,000) Sponsored by Mary Macchiusi
There is also the Fan Choice Award/Choix du public littérature jeunesse which invites young readers to to choose their favourite book from the titles shortlisted for the TD Canadian Children’s Literature Award and Le Prix TD de littérature canadienne pour l’enfance et la jeunesse.  CBC in partnership with the CCBC will start launch the voting process in early October.

The 2017 awards differ from previous years in that Le Prix Harry Black is being presented for the first time and the Monica Hughes Award for Fantasy and Science Fiction is not being presented this year.

Here are the short lists for each award category, as announced by the Canadian Children's Book Centre:



TD Canadian Children's Literature Award
A Day of Signs and Wonders
Written by Kit Pearson
HarperTrophy Canada



The Skeleton Tree
Written by Iain Lawrence
Tundra Books

Tokyo Digs a Garden
Written by Jon-Erik Lappano
Illustrated byKellen Hatanaka
Groundwood books
Reviewed here

The Tragic Tale of the Great Auk
Written and illustrated by Jan Thornhill
Groundwood Books
Reviewed here


When We Were Alone
Written by David Alexander Robertson
Illustrated by Julie Flett
Highwater Books








Le Prix TD de littérature pour l'enfance et la jeunesse canadienne





Aaah!bécédaire
Écrit par Elaine Turgeon
Illustré par Martin Laliberté
Éditions Druide

En voiture! L'Amérique en chemin de fer
Écrit et illustré par Pascal Blanchet
Éditions de la Pastèque

Même pas vrai
Écrit par Larry Tremblay
Illustré par Guillaume Perreault
Éditionas de la Bagnole

Niska
Écrit par Étienne Poirier
Éditions du soileil de minuit

Y'a pas de place chez nous
Écrit par Andrée Poulin
Illustré par Enzo Lora Mariano
Éditions Québec Amérique












Marilyn Baillie Picture Book Award 






The Artist and Me
Written by Shane Peacock
Illustrated by Sophie Casson
Owlkids Books


The Darkest Dark
Written by Chris Hadfield and Kate Fillion
Illustrated by Eric Fan and Terry Fan
Tundra Books

I Am Not a Number
Written by Jenny Kay Dupuis and Kathy Kacer
Illustrated by Gillian Newland
Second Story Press
Reviewed here

The Snow Knows
Written by Jennifer McGrath
Illustrated by Josée Bisaillon
Nimbus Publishing
Reviewed here

We Found a Hat
Written and illustrated by Jon Klassen
Candlewick Press












Norma Fleck Award For Canadian Children's Non-Fiction


Canada Year by Year
Written by Elizabeth MacLeod
Illustrated by Sydney Smith
Kids Can Press
Fight to Learn: The Struggle to go to School
Written by Laura Scandiffio
Annick Press

Level the Playing Field: The Past, Present and Future of Women's Pro Sports
Written by Kristina Rutherford
Owlkids Books


The Tragic Tale of the Great Auk
Written and illustrated by Jan Thornhill
Groundwood Books
Reviewed here

Water Wow! An Infographic Exploration
Written by Antonia Banyard and Paula Ayer
Illustrated by Belle Wuthrich
Annick Press




Geoffrey Bilson Award for Historical Fiction for Young People 





Every Hidden Thing
Written by Kenneth Oppel
HarperCollins Publishers

Freedom's Just Another Word
Written by Caroline Stellings
Second Story Press
Reviewed here
Heart of a Champion
Written by Ellen Schwartz
Tundra Books

Mark of the Plague (Blackthorn Key, Book 2)
Written by Kevin Sands
Aladdin

When Morning Comes
Written by Arushi Raina
Tradewind Books




John Spray Mystery Award






The Dark Missions of Edgar Brim

Written by Shane Peacock
Tundra Books

Howard Wallace, P.I.
Written by Casey Lyall
Sterling Children's Books

The Road to Ever After
Written by Moira Young
Doubleday Canada

Shooter
Written by Caroline Pignat
Razorbill Canada
Reviewed here

Sophie Quire and the Last Storyguard (The Continuing Adventures of Peter Nimble, Book 2)
Written by Jonathan Auxier
Puffin Canada












Amy Mathers Teen Book Award

Exit, Pursued by a Bear
Written by E. K. Johnston
Dutton Books
Reviewed here
Girl Mans Up 
Written by M-E Girard
HarperCollins

Julia Vanishes
Written by Catherine Egan
Doubleday Canada
Reviewed here
Shooter
Written by Carline Pignat
Razorbill Canada
Reviewed here

With Malice
Written by Eileen Cook
Houghton Mifflin Harcourt
Reviewed here









Prix Harry Black de l'album jeunesse


Au-delà de la forêt
Écrit par Nadine Robert
Illustré par Gérard DuBois
Comme des géants
Azadah
Écrit et illustré par Jacques Goldstyn
Éditions de la Pastèque

Je ne suis pas ta maman
Écrit et illustré par Marianne Dubuc
Comme des géants
N'importe quoi!
Écrit et illustré par Élise Gravel
Éditions Les 400 coups

Y'a pas de place chez nous
Écrit par Andrée Poulin
Illustré par Enzo Lora Mariano
Éditions Québec Amérique






Hosted by the Canadian Children's Book Centre and TD Bank Group, the Canadian Children's Literature Awards will celebrate great Canadian children's books and present the winners of the awards on the evenings of November 8, 2017 and November 21, 2017 in Montreal and Toronto, respectively.